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From
courtship through romance, melodrama to fantasy, kitsch to 'song
and dance'- all the vital ingredients of an epic Bollywood film,
one of the largest film industries in the world and the heart of
Indian popular culture and celebrity industry.
Watermans
(formerly known as Watermans Arts Centre) celebrates its re-opening
with the launch of Bollywood in Love, a poster exhibition from the
British Film Institute's (bfi) collections.
Bollywood
in Love forms part of ImagineAsia,
the bfi's nationwide celebration of South Asian film. The exhibition
illustrates the dynastic nature of the industry and unearths the
many characteristics and contradictions of Bollywood film, ultimately
revealing the way in which the idea of love and romance is glorified.
The posters which date from the 1940s to the present day are drawn
from the bfi's vast collection of nearly one thousand Indian film
posters, together with loans from various museums, the film industry
and private collectors.
The
posters provide a vibrant, challenging, pictorial insight into the
codes and conventions of Bollywood romance films. They will introduce
audiences to the stars involved and offer an historical perspective
on the new generation of Asian talent.
The
posters are displayed under three different themes:
A)
MECHANICS OF LOVE
Unlike
a Hollywood film, an Indian production is made against the backdrop
of various societal concerns; the posters trace these taboos and
trends. The earlier posters in the collection illustrate the segregation
and the unacceptable mixing of sexes. Some of the posters play up
this fantasy and there are clear distinctions between the characteristics
of the Bollywood romance film from its western counterparts, for
example the characters struggle for family approval. There is an
examination of the crafty strategies used to overcome Indian social
taboos-for example, public kissing-and how these strategies, such
as the well-known Bollywood 'fantasy song and dance' sequence-enable
stars to make their declarations of love and provide a good opportunity
to display the female body.
B)
THE STARS WE LOVE
The
rise of the great stars in Bollywood began in the 1950s and continued
throughout 1960s. Bollywood audiences flock to cinemas knowing that
their favourite star was in the film they were about to see. The
poster collection tells us who is experiencing a golden age at a
particular time because the same faces, and often the same couplings,
are repeated. This section will focus on the film stars themselves,
the star persona, which made national, figures out of some celebrities
and their real life stories that fans find so important, for example
Nargis, Raj Kapoor, Guru Dutt, Waheeda Rehman and Amitabh Bachchan
amongst others.
C)
TRUE LOVE AND MARRIAGE
Many
of the stars depicted in the poster collection fell in love on screen
as well as in real life. Their children are the stars of today's
Bollywood movies. This section will offer a historical perspective
of the new generation of Asian talent.
Bollywood
in Love will also tour to Cartwright Hall Art Gallery, Bradford
from 21 September to 10 November 2002 ; Watershed Media Centre,
Bristol from 15 October to 24 November 2002, and the MAC in Birmingham
from 16 November to 5 Jan 2003..
About
Watermans
West
London's cultural flagship Watermans re-opened on 24 April, 2002
after a sixteen month period of closure. This time has enabled Watermans
to focus the centres artistic vision, re-shape the live arts programme
and make necessary interior refurbishments. Having previously established
a dynamic reputation as a national and local platform for arts,
the newly revitalised Watermans promises even more of a commitment
to developing and showcasing British Asian Arts; Bollywood in Love
is the first of many major projects to emerge from this commitment.
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