BOLLYWOOD
FINALLY EMBRACES REALITY CINEMA
By Arpana, Indo-Asian News Service (24 February 2007)
After
playing it safe for years, Bollywood is finally opening up and
promoting sensitive films on communal violence and social or political
issues. One can say that it is finally coming of age and embracing
reality cinema in a big way! Deepa Mehta's "Water",
which has been nominated for the Oscars, and Anurag Kashyap's
"Black Friday" are important cases in point.
While
Indo-Canadian filmmaker Mehta came all the way to Delhi and Mumbai
last week to promote her film, based on the plight of widows in
pre-independence India, Kashyap's film is being promoted by Adlabs,
one of the leading Indian production and distribution houses.
Filmmaker
Ravi Chopra has decided to release "Water" across India
and said he believes in only "promoting good films".
Chopra stressed that one shouldn't undermine the intelligence
of the audience. "We are releasing it because of the audience,
who like reality based films. Ultimately, a production company
makes a film which the audiences would like," Chopra told
IANS.
He
is unfazed by threats of right wing Hindu groups. Though the film
will kindle the controversy again, Chopra feels it will eventually
subside after people see the film and are taken in by its beauty.
Mehta was forced to shelve shooting of the film in Varanasi in
1999 after Hindu groups objected to the film's subject, torched
the sets and burnt her effigies. She later shot the film in Sri
Lanka.
"It's
a beautiful romantic film and we always want to back good films...
we try to make good films ourselves. Having said that, I add that
one can't control anything. But I have a lot of faith in the people
and I am sure they will understand," Chopra said.
Adlabs
recently presented Anurag Kashyap's critically acclaimed film
"Black Friday" that analyses the events leading up to
1993 Mumbai serial bomb blasts and the investigation thereafter.
The movie, which was to be released in 2004, was given a red signal
by the Mumbai High Court. The court's decision came after a petition
was filed saying that "Black Friday" might make the
public biased against the accused and hence the outcome of the
verdict, which was pending at the time. With the final verdict
on the Mumbai blasts out in late 2006, the film saw the light
of day Feb 9.
"'Black
Friday' is a bold and brave story that is waiting to be told to
the Indian public and we are very happy to have facilitated its
release on the scale and the platform that it truly deserves,"
said Sunir Kheterpal, COO of Film Distribution Adlabs Films Ltd.
This
turn-about by the distributors is bound to bring a radical change
- it will articulate the release-related problems faced by filmmakers
and make it easier for them to fearlessly tell their stories.
Director
Rahul Dholakia is the toughest of the lot. He is not the one to
shy away from what he sees as a just fight. He went ahead and
made "Parzania" on the Gujarat communal riots of 2002
despite knowing very well the problems he was likely to run into.
Based on a true story, the film couldn't find any distributor
so the director launched his own company and released the film
himself. Starring Naseeruddin Shah and Sarika, the film is based
on Dholakia's friend Dara Modi who lost his son during the riots.
When
released, it was received well all over India except Gujarat -
the rightwing activists had their way in the state and didn't
allow multiplex owners to screen it. Modi was crestfallen because
the film was his last hope to find his lost son. Undaunted by
the threats, Dholakia is still fighting for its release in Gujarat.
"Films
should expand their boundaries by becoming more responsible towards
the society rather than being a mere source of entertainment.
They should bring forth the reality through their craftsmanship,"
said a critic. Creative filmmakers like Kashyap and Dholakia are
showing courage by venturing into so-far un-treaded areas. They
are striving to be different from their predecessors in terms
of creative thinking.
"The
filmmakers are doing their job and now it's the moviegoers turn
to fulfil their responsibility by buying tickets and watching
their films because it will encourage these filmmakers to make
more such films," the critic added.
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