ABOUT THE PRODUCTION
Bollywood/Hollywood
was shot over 30 days in and around the city of Toronto. Locations
ranged from Little India in the city's east end, downtown Toronto,
the nightclub district in the west end, to a mansion in North York
that became the Seth family home.
Production
designer Tamara Deverell and her team wanted to get the details
right. To prepare, the art department scoured libraries and Internet
search engines for details on Indian culture, and on elements of
the Hindu and Sikh religions. The team was also able to visit homes
of Indian-Canadians for inspiration.
"We
wanted the look of the film to be based in reality, although we
were able to stretch our creativity with a couple of sets such as
the music video and the trasvestite lounge," recalls Deverell.
Her favourite set "was the duplex where Sue lived with her
parents. It was incredibly sparse, blue-on-blue with crazy and oddly
surreal fake roses and pink flamingos."
Deverell
found it both intriguing and challenging to work with Mehta. "Deepa
has a strong sense of what she wants visually, but once she shares
that information, she is open and trusting." One colour that
is conspicuous by its absence is the colour green. Mehta asked for
a palette of reds and blues, and no greens or oranges in the sets
or in the wardrobe choices. "Orange and green are colours I
associate with the Indian landscape and light. Bollywood/Hollywood
is a film set in North America, which immediately evokes in me the
colour blue. The red in the palette represents immigrants - the
vibrancy they bring to North America," says Mehta.
Costume
designer Anne Dixon credits the script for helping to gain a sense
of the characters. "Deepa's script was wonderful. The characters
were fully realised on the page, and that made it easy for me to
visualise them in costume."
World-famous
fashion designer Rita Kumar supplied the production with pieces
from her line for the principal actors. Kumar has been credited
with reviving traditional Indian textile crafts and methods. Her
designs incorporate block prints, kasauti, chikankari, zardozi,
bandhani and kalamkari to create timeless fashions. She is frequently
chosen by the Miss Universe and Miss World organisations to dress
contestants. "She was very gracious and her help was much appreciated.
It would have been impossible to get that quality of fabric, or
the type of beadwork to produce the kinds of costumes that we wanted
without her," says Dixon.
As
befits a film that uses elements of Bollywood film culture, in Bollywood/Hollywood
all of the actors sing and dance. Not all of the actors were up
for the challenge, and some felt that they couldn't dance at all.
"I didn't even think about it. I just assumed that they would.
Choreographer David Connelly was amazing. He trained everyone and
they were fabulous," says Mehta.
Rahul
Khanna describes himself as "a terrible dancer. I had never
danced or sung in a film before. I put the fear of God into David.
I can't say I loved it, but it was fun."
By
contrast, Ray has previous experience dancing in Bollywood films.
"David was fantastic. He did his research and he did watch
a lot of Hindi films, which I admired a lot. I was really impressed
with how he combined the western and eastern styles in the songs
and dances. He grasped the concepts of many of the traditional Indian
dances and gave them a modern twist."
Connelly's
enthusiasm for his craft and for the story is evident throughout
the major choreographed pieces in the film. "It was very inspiring.
Everyone was very committed to doing something no one has seen before.
We wanted a true fusion of east meeting west, but at the same time
the pieces are stepped in tradition and what it means to be here
in this time and this city," recalls Connnolly.
Noted
composer Sandeep Chowta created the original music for the film.
His lyrics and east-west fusion rhythms combine for an infectious
feeling and a liberating flavour. It's a combination that worked
well for Lisa Ray. "In Bombay we have an enormous suspension
of disbelief, when the actors switch from drama to song, but it's
just an element of the film culture. But here the songs blend seamlessly
throughout the story line and push the narrative ahead." says
Ray.
With
its romantic plotline, and the song and the dance segments, Bollywood/Hollywood
would seem to have been made with an audience in mind. Mehta rejects
that idea. "I never ponder about the audience. Doing the film
for someone who is faceless is impossible for me
I have to
do it for myself. Then whether you fall flat on your face or whether
the film does well
at least you know it's yours."
Khanna
hopes that "the audience has a great time. I want them to say
that they forgot about their worries and laughed and cried
and came out with a smile."
INTERESTED
IN KNOWING MORE?
Click
here to read about The
Background to Bollywood/Hollywood.
Click
here to read about The
Casting of Bollywood/Hollywood.
Click
here to read about The
Production of Bollywood/Hollywood.
Click
here to read about development of The
Storyline for Bollywood/Hollywood.
Click
here to return to the Bollywood/Hollywood
article.
BANANAS
OVER BOLLYWOOD?
If
you are simply "bananas" over bollywood, then you might
like to read the following:
- Bollywood
In Love - catch it while you can (ends January 2003)
- Bollywood
Dreams - a digital homage (end May 2003)
- Bollywood
Homes - Abu Jhani & Sandeep Khosla's interior design benediction.
Sadly only the pictures remain now!
- Bombay
Dreams - A R Rahman's theatrical tribute to the industry is
a must see.
- The
Rough Guide to Bollywood - DJ Ritu's musical guide to the
Hindi Film Industry.
- Bollywood
Books - our selection of some of the best books on the subject.
- Bollywood
Boy - our review of Justine Hardy's pursuit of Bollywood heart-throb
Hrithik Roshan.
- Bombay
Time - Thrity Umrigar's simply brilliant book about the Mumbai
Parsee community. Absolutely nothing to do with Bollywood...but
a great novel about the city!
- Lagaan
- surely you've seen the movie by now? Read our review and see
if you agree.
- Devdas
- Sanjay Bansali's remake of this classic 1917 tale.
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