About
Mira Nair
The
highly acclaimed director from India, Mira Nair leapt into the world's
spotlight with her film Salaam, Bombay! This film is considered
by many to be her best work although she may be better known for
the controversial subject matter of her film Kama Sutra: A tale
of Love.
Mira
Nair was born in Bhubaneshwar, Orissa to a civil servant in 1957.
She went on to attend the University of New Delhi where she studied
Sociology and Theatre. Dissatisfied with the quality of the education,
she applied elsewhere. As result she came to Harvard in 1976 on
full scholarship to continue studying Sociology. While at Harvard
her focus drifted to documentary film. She describes documentary
as "a marriage of my interests in the visual arts, theatre,
and life as it is lived".
Mira's
first film was Jama Masjid Street Journal that was also her Master's
thesis project. This film explores the life of a traditional Muslim
community from the Western perspective. Her most acclaimed documentary
was India Cabaret. Ultimately, the standards of objectivity and
non interference inherent in documentary film proved to be a trying
constraint. She told the West Side Spirit writer, "While I
was working in documentary I was impatient sometimes, many times,
with waiting for something to happen and not having it happen like
I hoped it would." She goes on to say that she wanted "a
lot more control over gesture and drama and faces" in her work
As result she tried her hand at fictional narrative. Her greatest
recognition came with her first feature film Salaam, Bombay! She
was awarded the Best New Director at the Cannes Film Festival as
well as a nomination for best foreign film at the Academy Awards.
Her
highly acclaimed film 'Monsoon
Wedding' won the Golden Lion award for best film at the Venice
Film Festival last year making Nair the first Indian woman to win
the prestigious prize for best picture at the oldest film festival
in the world. Monsoon Wedding, which was also a Cannes Film Festival
favourite portrays a colourful and musical wedding in India's Punjab
state following an affluent family with long running tensions over
four days and was shot in one month with hand-held cameras, giving
the film a documentary feel.
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