From
courtship through romance, melodrama to fantasy,
kitsch to 'song and dance'- all the vital ingredients
of an epic Bollywood film, one of the largest film
industries in the world and the heart of Indian
popular culture and celebrity industry.
Watermans
(formerly known as Watermans Arts Centre) celebrates
its re-opening with the launch of Bollywood in
Love, a poster exhibition from the British Film
Institute's (bfi) collections.
Bollywood
in Love forms part of ImagineAsia,
the bfi's nationwide celebration of South Asian
film. The exhibition illustrates the dynastic
nature of the industry and unearths the many characteristics
and contradictions of Bollywood film, ultimately
revealing the way in which the idea of love and
romance is glorified. The posters which date from
the 1940s to the present day are drawn from the
bfi's vast collection of nearly one thousand Indian
film posters, together with loans from various
museums, the film industry and private collectors.
The
posters provide a vibrant, challenging, pictorial
insight into the codes and conventions of Bollywood
romance films. They will introduce audiences to
the stars involved and offer an historical perspective
on the new generation of Asian talent.
The
posters are displayed under three different themes:
A)
MECHANICS OF LOVE
Unlike
a Hollywood film, an Indian production is made
against the backdrop of various societal concerns;
the posters trace these taboos and trends. The
earlier posters in the collection illustrate the
segregation and the unacceptable mixing of sexes.
Some of the posters play up this fantasy and there
are clear distinctions between the characteristics
of the Bollywood romance film from its western
counterparts, for example the characters struggle
for family approval. There is an examination of
the crafty strategies used to overcome Indian
social taboos-for example, public kissing-and
how these strategies, such as the well-known Bollywood
'fantasy song and dance' sequence-enable stars
to make their declarations of love and provide
a good opportunity to display the female body.
B)
THE STARS WE LOVE
The
rise of the great stars in Bollywood began in
the 1950s and continued throughout 1960s. Bollywood
audiences flock to cinemas knowing that their
favourite star was in the film they were about
to see. The poster collection tells us who is
experiencing a golden age at a particular time
because the same faces, and often the same couplings,
are repeated. This section will focus on the film
stars themselves, the star persona, which made
national, figures out of some celebrities and
their real life stories that fans find so important,
for example Nargis, Raj Kapoor, Guru Dutt, Waheeda
Rehman and Amitabh Bachchan amongst others.
C)
TRUE LOVE AND MARRIAGE
Many
of the stars depicted in the poster collection
fell in love on screen as well as in real life.
Their children are the stars of today's Bollywood
movies. This section will offer a historical perspective
of the new generation of Asian talent.
Bollywood
in Love will also tour to Cartwright Hall Art
Gallery, Bradford from 21 September to 10 November
2002 ; Watershed Media Centre, Bristol from 15
October to 24 November 2002, and the MAC in Birmingham
from 16 November to 5 Jan 2003..
About
Watermans
West
London's cultural flagship Watermans re-opened
on 24 April, 2002 after a sixteen month period
of closure. This time has enabled Watermans to
focus the centres artistic vision, re-shape the
live arts programme and make necessary interior
refurbishments. Having previously established
a dynamic reputation as a national and local platform
for arts, the newly revitalised Watermans promises
even more of a commitment to developing and showcasing
British Asian Arts; Bollywood in Love is the first
of many major projects to emerge from this commitment.
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