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Ive always been
drawn to the beauty of Islam as a living faith,
says Graham, who himself is non-Muslim. Equally,
the Arabic characters have their own intrinsic
appeal, and I felt that micro-engraving the chapter
on such a small scale was not only in keeping
with, but also an homage to, the intricate artwork
that has been a feature of mosques and of the
Islamic aesthetic generally down the centuries.
Graham works at night because
the incredible detail of his work requires a minimum
of vibrations from passing traffic. The physical
extremes he goes to for his art include long-distance
swimming to help maintain a low pulse, securing
his engraving hand with vintage leather luggage
straps, and even resorting to Botox injections
around the eye area to help reduce blinking. His
work is sought after all over the world, with
collector interest constantly coming in from the
US, Germany and Russia amongst others.
Although The Word of God
was not exhibited publicly after completion, a
collector visiting a solo exhibition of Grahams
works in Cambridge heard about the Quran
engraving and asked to see it. Having now purchased
the piece, the collector wishes to remain anonymous.
The sale of The Word
of God is evidence of a very healthy and dynamic
collectors scene around Islamic-inspired
art in the UK, says Rod Lacey, managing
director of fine art brokers White Space, which
represents Grahams work. Grahams
work sits at the crossroads of master craftsmanship
and fine art - an area which boasts a very long
tradition in Islamic culture - so for me, Graham
working on Islamic-inspired pieces like this is
his way of paying a wonderful compliment to centuries
of tradition from craftspeople in the Islamic
world.
Visit www.thehandsofgenius.com
for further information about Graham Short's art.
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