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This
exhibition is a major opportunity to view two
stunning new films by Sutapa Biswas, one of the
leading artists of her generation. Over the last
seventeen years she has created an intensely evocative
and challenging body of work, engaging with feminism,
cultural identity and memory.
Birdsong
is a 16mm film co-commissioned by inIVA and Film and Video Umbrella.
It is a projected film tableau in which a horse is viewed in a domestic
interior, standing motionless except for the gentle and subtle movements
of its body. Seen through the eyes of a child - whose dream it is
to have a horse living in his house - this haunting piece addresses
the impossibility of dream and desire and the 'squeezing out' of
reality. The heavy physical presence of this large animal establishes
a tension both with the small origami winged horse shown hanging
like a child's mobile in the accompanying shots and with the iconographic
nature of the image. The inspiration for this particular work is
Stubbs' painting Lord Holland and Lord Albemarle Shooting at Goodwood
(1759), in which a young black servant can be seen holding his master's
horse.
Magnesium
Bird is a beautiful film made in the eighteenth-century walled garden
at the stately home of Harewood House in Leeds. It deals with loss,
love and trepidation, but also serves as a record of a spectacular
and ephemeral performance event, in which small birds sculpted from
magnesium are ignited. This footage is intercut with young children
running through the gardens and disrupting the poetic stillness
of the space.
Through
the medium of film, Biswas takes us on a metaphysical journey, exploring
the transformative nature of intimate and familial relationships.
Having initially established a reputation as a painter in the 1980s,
Biswas's transition to the moving image is informed by a strong
painterly aesthetic. She draws on a variety of literary and visual
sources in her films, from writings by Marcel Proust and the psychoanalyst
Frantz Fanon, to paintings by George Stubbs and Edward Hopper.
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